Emotional feeling songs have always been in great demand.
Ballads are especially lyric-driven and must be clear and honest, yet visual
and compelling. Ballads convey a strong sense of the emotions the singer of the
song is feeling.
Try to think of singing as speaking on organized, rather
than random, pitches. Instead of slinging a bunch of loud notes at your
audience, speak to them. Make your vocal technique word-based rather than
tone-based. If your audience didn’t value the lyrics, they’d be listening to
symphonies or instrumental jazz.
It's easy to build a successful career around an artist who
can tell a story in song that listeners can relate to. Artists like Celine,
Garth or Michael Jackson, who are known for feeling songs deeply, are always in
great demand.
Drawing on your personal life situations will help you
understand how the subject could be feeling. Songs can also help you heal your
heart, release pent up anger, or simply make you smile. And it's funny how just
thinking about what the words mean will actually help make you sing better.
Whether you are singing your own material or cover songs,
you must live your songs and know what you are singing about and why. This is
not as obvious as it sounds.
I suggest you create a three minute mini-movie for every
song, complete with cast, setting, and dramatic background. Write out a short
subtext for each song as you learn it. Try to be as specific as possible. It
does not matter what you are personally feeling, songs should not be allowed to
wither and die on the vine, it’s up to you to make them come alive.
To create a subtext, write down answers to these four
questions:
1. Who is singing the song?
Is it you, or are you imagining a situation that happened to
someone you know?
2. What does the singer of the song hope to accomplish or
change?
Tell a lover good-bye? Stop a lover from leaving? Start
fresh after a broken heart?
3. Who else is present?
Is the loved one actually in the room or are you leaving the
message on voice mail?
4. When and where is the song being sung?
What time of the day is it and where are you? Emotions run
hotter at night when you're in a bar than during the day when you're at the
mall..
Here’s a sample of subtext to help you get started:
“Joe and I are breaking up for the third and final time.
It’s 3 am and he just came home covered with lipstick smudges -- again! This
time we’re really through and I want him to know just how badly he’s blown it.
I’m angry and I want him to know exactly how I’m feeling." Songs must
convey emotion to the listener in order to be believable.
There is no rule; there is no right or wrong. It’s up to you
to decide what the scenario for your song will be. Songs can have an endless
variety of scenarios, make yours unique to you. The audience doesn't have to
know exactly what your subtext is, but if you have one, they will know that something
is happening inside you instead of nothing.
Nashville
vocal coach Renee Grant-Williams reveals the trade secrets that have already
helped hundreds of aspiring singers become celebrities: Tim McGraw, Martina
McBride, Dixie Chicks, Miley Cyrus, Huey Lewis, Kenny Chesney, Faith Hill,
Jason Aldean, Christina Aguilera...
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